.
"Where artists become better artists"
Copyright © 1999 * Art In The Mountains * All Rights Reserved
"I simply want to
achieve the ultimate
communication on the
canvas -
to say more with less."
    Understand intellectually, and then
    paint passionately.  Learn to see and
    interpret quickly.  Painting on location
    with Ken, you will learn how to lay
    down a foundation quickly and
    confidently and how to apply paint in a
    logical manner that allows you to
    understand what you did and why.  
    Strong attention is paid to
    composition, simplification of shapes,
    creating focal points, and balancing
    color.  Ken’s work has been featured
    in the Artist’s Magazine, American
    Artist and Southwest Art.  He is a
    member of Oil Painters of America
    and Plein Air Painters of America.

"Intellect & Passion"
DVD
Ken Auster

Intellect and Passion in Oil
studio & plein air

No workshops scheduled for 2010
Bend, OR

Cost $

Beginning to Advanced

    KEN AUSTER

    For it was in his formative years in Long Beach,
    California, where Ken grew up with his feet deeply
    planted in the surfing culture, that he first learned to
    express his art talent. Caught up in the ground swell of
    the 1960s surfing culture, Ken not only plunged into the
    sport of surfing but into the art and graphics of surfing as
    well.

    While working his way towards a Bachelor in Fine Arts
    degree from Long Beach State University, Ken built one
    of the world's most prominent silkscreen and T-shirt
    companies, creating now-legendary surfing art that
    adorned surfers from Belmont Shores to Hawaii to
    Mexico. His surfing images, silk-screened as original
    prints on paper, became the "fine art" of this beach
    culture, and today, represent the classic surf art of the
    past century.

    At the heart of Ken's work was always the awareness of
    the fine line between man-made and nature. In the mid-
    1990s, Ken moved to a more serious art level - involving
    him with the immediacy of oil paints as opposed to the
    process-burdened medium of printmaking. Throwing
    himself into the splendor of "plein air" (on location)
    painting, Ken discovered the richness and broad colors
    of the city life he long avoided. As he will tell you, he
    rejoiced in this newfound ability to paint anything and
    everything - cafes, train stations, airports, street scenes,
    and of course, never far away, was the beach, his first
    love.

    The transition from surf art to serious impressionism
    was natural for Ken - his passion and obsession to
    reach a new understanding between himself and the oil
    painting medium took on a new intensity of discovery. "I
    simply want to achieve the ultimate communication on
    the canvas - to say more with less," Ken says.


    His deft use of color. His economies of brush strokes.
    His simple, yet beautifully structured compositions. As
    one famous critic described - "each painting captures a
    moment in time charged with a hint of narrative drama.
    And each is rendered with such vibrant immediacy that a
    single glance excites other senses as well."


    Ken's passion for painting is shared with hundreds of
    students who each year travel from around the world to
    attend his workshops in Laguna Beach and Carmel. With
    his wife, Paulette Martinson, they have a thriving art world
    centered at their studio and gallery in picturesque
    Laguna Canyon.


    In a relatively short time since this transition to plein air
    painting, Ken Auster has moved to the forefront of
    American contemporary impressionists. He consistently
    walks away with gold medals and first place awards at
    juried exhibits. His work is collected by some of the most
    respected corporations and patrons.

    PUBLICATIONS:                
    ARTIST’S MAGAZINE,  “A MEETING OF THE MINDS“ 2006

    AMERICAN ARTIST; Workshop Issue, “ADVENTURES IN
    PLAIN AIR PAINTING“, Daniel Grant, Spring, 2006

    BEACH CITIES STYLE, March, 2006

    ART & ANTIQUES, “EMERGING ARTIST”, 2003

    COAST, “THE ART OF COMMUNITY”, August 2002

    LOS ANGELES TIMES,  “SOCIAL CIRCUTS” Sunday 2002

    COASTLINE PILOT 2002

    THE SURFER’S JOURNAL, “FIRST CLASS: THE STORY
    BEHIND THE DUKE STAMP”

    SOUTHWEST ART, “NOTES FROM THE WEST” 2002

    THE NEW FILMORE, “NEW FILMORE ART, KEN AUSTER:
    SLICES OF LIFE“, FEBRUARY 2002

    Education:
    California State University, Long Beach, CA

    Juried Exhibitions Selected:
    2002 Laguna Art Museum Lincoln Plein Air Painting
    Invitational, Laguna Beach, CA  "1st Place"

    2002 Laguna Art Museum Lincoln Plein Air Painting
    Invitational, Laguna Beach, CA
    "Honorable Mention"

    2002 "Carmel Plein-Air Invitational Carmel, CA
    "First Place"

    Affiliations
    California Art Club, Pasadena, CA (Signature Member)
    Laguna Plein-Air Painters Association, Laguna Beach, CA
    (Signature Member)
    Oil Painters of America, Park Ridge, IL
    The Plein-Air Painters of America, Santa Fe, NM
    (Signature Member)


    Museum Exhibitions:
    2007 from the heart haggin museum Stockton, CA
    2003 "Salond Arts' Colorado History Museum, Denver
    2002 "Surf Culture, The Art History of Surfing" Laguna Art
    Museum, CA
    2002 "Collectors Choice"The Bakersfield Museum, CA
    1999 "Surfin' Art Exhibition" SO. Texas Museum of Art,
    Corpus Christi, TX

Class Outline
    The workshop focus on: Plein air painting outdoors
    * Understanding and simplifying shapes
    * Laying down a foundation quickly and confidently
    * Creating focal points and developing them
    * Balancing cool and warm colors
    * Creating atmospheric perspective
    * Composition
    * Developing an individual's ability

    Bring your lunch for days 1, 2, 3 and 4

    Day 1
    Please bring supplies for taking notes and painting supplies
    9:00 a.m. workshop starts promptly for lecture and demo
    1:00 p.m. lunch break
    2:00 p.m. - 4:00 p.m. paint on location

    Day 2-3
    8:45 a.m. - 1:00 p.m. paint on location in the morning
    1:00 p.m. lunch break
    2:00 p.m. - 4:00 p.m. return to studio/gallery for lecture and demo

    Day 4
    8:45 a.m. - 54:00 p.m. paint on location all day
    1:00 p.m. lunch break

    Day 5
    8:45 a.m. - 1:00 p.m. paint on location in the morning
    1:00 p.m. return to studio/gallery for lunch provided by Ken Auster
    2:00 - 3:00 p.m. lecture and demo