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"Where artists become better artists"
Copyright © 1999 * Art In The Mountains * All Rights Reserved
With work hanging at the White
House and in permanent, private
and Museum collections,
through out the world, John
Seerey-Lester, (The Godfather of
Wildlife Art) has become one of
the most renowned wildlife and
plein air artists in the world
today.

    John Seerey-Lester will help
    you capture the true
    characteristics of wildlife using
    an abundant variety of
    taxidermy birds and animals.
    John will teach the elements of
    anatomy, fur, feathers, water,
    snow, grass, mist, fog and
    more. He’ll give lessons on
    design and composition, how
    light affects different objects,
    clever contrast use, the illusion
    of distance and atmospheric
    perspective. John is the author
    of: Useppa A Passage in Time;
    Face to Face with Nature: The
    Art of John Seerey-Lester;
    Impressions of India and
    Nepal; and Painting Wildlife
    with John Seerey-Lester.
    Prestigious museums and
    galleries worldwide collect
    John’s paintings.  

"Legends of the Hunt"
coming soon
John Seerey-Lester

Wildlife in Oil or Acrylic
Studio and Plein Air

June 28 - July 2, 2010
Bend, OR

Cost $795

Intermediate to Advanced

    John Seerey-Lester Born 1945
    With work hanging at the White House and in
    permanent, private and Museum collections, through
    out the world, John Seerey-Lester, (The Godfather of
    Wildlife Art) has become one of the most renowned
    wildlife and plein air artists in the world today. Since
    moving to America over 25 years ago and making it his
    base of operation, he has continued to travel the world
    in search of images. Preferring to paint from life, he has
    visited such diverse locations as Africa, China (where
    he painted the rare Giant Panda in the wild), India, The
    Arctic and Antarctica as well as Central and South
    America. It was a visit to East Africa over 30 years ago
    that give birth to his interest in wildlife. Before this, in
    his native England, John gained enormous popularity
    through his paintings of nostalgic scenes of Victorian
    and Edwardian times. Now he has combined that early
    fascination for historic themes with his continuing
    interest in wildlife to capture in paint, the golden age of
    the White Hunter and hunting heritage of North
    America. In a new series of paintings John is revisiting
    the late 1800's and early 1900's in what is becoming his
    most successful work. John has gained a reputation
    over the years for producing images with a mysterious
    and a mystical appeal, now he has taken this skill to
    produce a remarkable series of paintings depicting
    historic hunts and safari legends. These will eventually
    be featured in a limited edition book.
    Today he lives in Florida, with his wife and fellow wildlife
    artist Suzie whom he married in January 2000 on
    Useppa Island, in Southwest Florida. Mention the name
    Seerey-Lester to a fan of wildlife art and you'll more
    often than not get an excited response. The art of John
    Seerey-Lester has had that effect on his following since
    his entry on the art scene nearly thirty years ago. Not
    only is his work recognized world-wide for his depiction
    of large mammals and birds of prey, but his skill and
    unmistakable style have become easily identifiable to
    art fans, novices and experts alike.
    Before painting wildlife, John painted figurative works
    and portraiture, which he still undertakes. On his
    travels to different parts of the world, he continues to
    do figurative work between his wildlife paintings.
    World-renowned artist, John Seerey-Lester was born in
    Manchester, England where he grew up with a
    sketchbook in hand. Receiving his first commission at
    the early age of 13, John became a professional artist
    in 1974. For some ten years prior to this, John was a
    journalist, freelance writer, editor of several magazines
    and worked in advertising and public relations in both
    the private sector and local government in the UK.
    It was in 1980, after making his first trip to East Africa,
    that John began painting images of the natural world.
    His respect for the work of fellow English artist, David
    Shepherd, heavily influenced his decision to travel to
    Africa and paint wildlife. This became a turning point in
    his career.
    In 1982 John moved to the United States. He signed
    with Mill Pond Press the following year. Since then he
    has had some 300 limited edition prints published.
    Many of these have sold out within days of release.
    Demand for his original works has become stronger
    each year.
    John's images have a mysterious and a mystical
    appeal, directly related to his ability to paint the
    unusual. His skill in painting mist, and snow, as
    evidenced in Polar Lookout, and wildlife in subdued
    light, such as Out of the Darkness Into the Light, or Dark
    Presence, has created a demand for his ability as a
    painter that has few rivals. Not many artists display the
    ability to paint wildlife in all the natural elements.
    Seerey-Lester's imaginative designs are always an
    anticipated aspect, as experienced in a recent release
    of Full Moon Rising - Leopard Where else, but through
    his art, could you see such a brilliant occurrence.
    His paintings of the North American grizzlies of Alaska
    are among the best of the species ... the limited edition
    prints of his first offerings have long gone and are
    coveted.
    With his personal ambition for first-hand experience,
    it's easy for students to realize his acumen for
    capturing mood and anatomical accuracy.




    John has received many awards and much recognition
    for his outstanding achievements in the field of wildlife
    art. He was presented to His Royal Highness Prince
    Phillip and was commended for his work in conservation.
    He has been chosen to exhibit works in the prestigious
    Leigh Yawkey Woodson Art Museum's "Birds in Art" and
    "Wildlife: An Artist's View", shows each year since 1983
    and his paintings are in their permanent collection. He
    has also displayed in several other Museums such as
    the Gilcrease Museum, and National Museum of Wildlife
    Art, and in many other permanent collections such as
    Bennington Center for the Arts, and Nature in Art
    Museum. John was Artist of the Year for Miniature '85,
    Artist of the Year for Pac Rim wildlife Art Show (1990),
    Artist of the Year for Florida Wildlife Expo (1996), Artist of
    the Year for the 7th Annual South East Invitational
    Miniature Show (1999), Artist of the Year for Celebration
    Weekend and presented with the Key to the City of Troy
    Ohio (2001), Artist of the Year, for Reflections of Nature
    (2002). The Society of Animal Artists presented John with
    the Award of Excellence and the Patricia Allen Bott Award
    for his Mara River Horse (2002), and again in (2006) for
    "White On White".
    In 2004, John was the Artist of the Year for the
    Southeastern Wildlife Expo in Charleston, SC. John is a
    member of the Society of Animal Artists (SAA), Oil
    Painters of America (OPA), The Wildlife Artists
    Association (WAA), and a founding member of Southern
    Plein Air Artists (SPAA). He has appeared in numerous
    magazines and books on Wildlife art.
    John has traveled all over the world in search of the
    magnificent wildlife he portrays on canvas. He prefers to
    paint only wildlife subjects he has seen firsthand. He has
    traveled to most parts of Canada, Alaska, China, Africa,
    Antarctica, South and Central America, India, and Nepal.
    A book on his life and work was published by Mill Pond
    Press and released in November 1991. The book, Face
    to Face with Nature: The Art of John Seerey-Lester, sold
    out in 1995. A second book titled Impressions of India
    and Nepal, based on his fieldwork there, was published
    soon after. His latest book Painting Wildlife with John
    Seerey-Lester, which was published in 2003, has also
    sold out. His new book "Useppa A Passage in Time" was
    published in October 2007. "Useppa" has won the silver
    metal from IPPY for outstanding historical fiction.
    As well as being widely regarded as an artist, John is an
    excellent teacher. John's workshops and Master Classes
    have become a success because he not only teaches
    students in a classroom setting; he works with them in
    the field. As a teacher, he paints alongside students and
    allows them to learn directly from him. John has a way of
    taking neither his work nor himself too seriously; thus he
    conveys information in an interesting and sometimes
    humorous fashion. As one workshop student put it, "I've
    never learned so much, and simultaneously had so
    much fun, in all my educational experiences."

Class Outline
           This week is designed to teach you what you want to learn, there are some specific subjects that John will cover
    during the week. These will be covered at random during the class. John will be talking about and demonstrating his
    views on design and composition working in the field, and painting techniques for such elements as fur, feathers,
    water, snow, grass, mist, fog etc.  He will also cover anatomy, including muscle structure. John will demonstrate the
    importance of perspective and creating atmosphere. We will also learn clever use of contrast to create depth and
    drama, thinking in terms of form not line, how light works on different objects, the illusion of distance, atmospheric
    perspective, value and color.

    John will conduct a critique of everyone's work. He will look at three of your slides or digital images and critique each
    one. It is important that everyone take part in the critiques because you will learn from each other's work. Slides, digital
    images and original paintings will be formally critiqued since photographs are difficult to show to' the entire group.

    The difference between an average and an exceptional painting is created through design and composition. The design
    is singularly the most crucial factor in a painting. It is so important that this is considered first before putting brush to
    canvas. Good design can take many forms, but it should always be interesting and dramatic. When painting wildlife, the
    most important factor is placement of the main subject. The viewer's eye should be able to travel through the painting
    to where you the artist, want the viewer to focus. A bad example of design is placing the main subject in the center of
    the painting by doing this, the viewer's eye rests in the center and doesn't flow throughout the piece.