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"Where artists become better artists"
Copyright © 1999 * Art In The Mountains * All Rights Reserved

"Light holds the key to creating
form, depth, atmosphere and
texture ... It can help you simplify
a scene, harmonize your
painting and create powerful
statements ... It can mean the
difference between a mediocre
depiction and a painting that
sings."
    OIL Workshop:
    Do you love artistic drama? Learn
    how to paint with clarity and
    simplicity creating the excitement of
    dynamic lighting.  Howard and
    Betty will share their award-winning
    techniques that will help you
    employ thick, confident
    brushstrokes in rich oil paints,
    resulting in works that are lyrical,
    passionate and spontaneous.
    Emphasis will be placed on light,
    shadow, atmospheric perspective
    and gradation.  Howard and Betty’s
    work has been featured in
    numerous magazines such as
    International Artist and American
    Artist.  

    Watercolor Workshop:  
    Join Betty as she takes you to
    beautiful locations in Central
    Oregon and demonstrates a variety
    of subjects to paint in watercolor.  
    You will learn her award-winning
    techniques that will help you build
    confidence in your skills while
    painting on location.  Emphasis
    will be placed on light, shadow,
    atmospheric perspective and
    gradation.  

    Betty is the author of Seeing the
    Light: An Artist’s Guide.  She is a
    signature member of
    Knickerbocker Society of Artists.    

"Seeing the Light:
An Artist's Guide"
Betty Carr

Seeing the Light as a Painter
Watercolor and Oil
Plein air

June 11-15, 2011


Bend, OR

Cost $TBA

Beginning to Advanced

    BETTY CARR was born and raised in Santa Cruz,
    California and developed a love of art from visiting
    museums. For 23 years she taught art in public schools
    and did sculpture in her spare time. In 1980, she married
    landscape painter, Howard Carr, and they have devoted
    their lives to painting. she and her artist husband,
    Howard Carr, travel several months of each year, from
    Oregon to South Carolina in a specially equipped mobile
    home. In numerous locations, they teach artist
    workshops. She advises her students to draw continually
    because 'drawing is critical to good painting.'


    From the time she was a young girl, Carr has been
    represented by galleries. She has been featured in
    numerous publications including Art of the West,
    Southwest Art, American Artist, Art Talk, American Artist
    and Vitality magazines. She is extremely proud of her
    acceptance into the exclusive Knickerbocker Association
    of New York City.

    Energetic, brightly colored watercolor still lifes are the
    signature work of this artist who is known for her skillful
    use of light, color and shadow in her floral paintings. On
    the influence of light on her watercolors, she writes -
    'What catches my eye is the effect light has on form in
    unique situations whether fleeting, spilling over, striking,
    etc. I challenge myself in capturing its dramatic and/or
    subtle effects. The spontaneous qualities of watercolor
    lends itself perfectly to my impressionistic style of
    painting. I strive for confident enthusiastic brushwork, the
    maximizing of color's value and intensity range and a
    fresh painterly approach, the result appearing effortless.'



    Betty Carr is emerging as one of the foremost
    watercolorists and painters of the southwest. Her use of
    color, light and shade accentuate her subject matter while
    showing her love of nature and its forms.


    Since gaining her MFA from San Jose State University,
    California, Betty has taught painting, drawing and
    sculpture at primary, secondary and college levels and
    has developed a following through both private and
    workshop instruction. She is collected both privately and
    corporately as well as being accepted in numerous juried
    exhibitions.

    Betty in discussing her painting style; impressionism,
    enthusiastic brushwork and the use of light and dark
    shows the enthusiasm and spontaneity of getting the
    scene in her hands.



    Following years of instructing art in Colorado and
    California and developing her distinctive painting style,
    Betty and artist husband Howard Carr decided to follow
    the sun to the southwest where color and light are ever
    present.

    "What catches my eye is the effect light has on form in
    unique situations whether fleeting, spilling over, striking,
    etc. I challenge myself in capturing its dramatic and/or
    subtle effects. I strive for confident enthusiastic
    brushwork, the maximizing of color’s value and intensity
    range and a fresh painterly approach, the result
    appearing effortless" -Betty Carr

    HOWARD CARR once a child actor, has become one of the country’s most splendid
    Southwest landscape painters. Howard Carr was born in Palm Springs, Ca in the late 40’
    s. He was discovered at the age of nine and was featured in many roles including: The
    Real McCoys; Leave It to Beaver; The Ernie Ford Show; The Rifleman; The Betty Hutton
    Show; My Three Sons; The Danny Thomas Show; and the Dick Powell’s Mystery Theater.
    When his family moved away, his acting career ended.  Howard studied illustration and
    cartooning at Chouinard Art School before serving in Vietnam. When he returned from the
    war Howard turned to full-time painting. His unique way of expressing himself through his
    paintings translates the way Howard sees the beauty of the world for all of us to enjoy.
    Howard is a popular teacher who travels with his wife plein air painting and gathering
    materials and ideas for future works.

  • Class Outline -  for Oil & Watercolor Workshops
           
    There will be daily critiques through out the week   

    "The oil and watercolor workshops will cover the simplification of our direct approach in understanding characteristics of
    light, shadow, atmospheric perspective and gradation for application in painting the effects of light. Whether your painting
    style may be abstract, experimental, realistic, etc., design and compositional aspects in using light will be discovered during
    the week.  Using light and shadow with sound approaches to directing the eye will be demonstrated.  Utilizing painterly
    ideas and technical tricks pertaining to watercolor will take place.

    The class begins each morning with a spontaneous painterly demonstration/lecture designed to cover essential oil or
    watercolor techniques, etc. along with incorporating important discussions such as non-literal thinking and historical
    aspects in art which may apply to your style.  Students will receive individual instruction and critique as well as group
    instruction in the studio.  Students may also bring paintings done outside the class so that your general style can be
    discussed.  Emphasis during the week will be on simplification and organization of darks and lights, value and color
    relationships, edges, massing shape, direction and other important design applications in creating unique and dynamic
    paintings along with focusing on the spirit of each work.  How to incorporate value studies in your paintings as well as
    combining photographs to maximize your options in creating a masterpiece will also be discussed.  Individual approaches
    to the variety of subject matter introduced in class will be encouraged as well as your creative spirit.  Bring your favorite
    photos, especially the ones you have been saving for that “challenging painting”.